This is the American ICD-10-CM version of S02.630A - other international. Short description: Fx coronoid process of mandible, unspecified side, init The 2023 edition of ICD-10-CM S02.630A became effective on October 1, 2022. These findings may prove useful for patients who are not surgical candidates or elect for nonoperative treatment. S02.630A is a billable/specific ICD-10-CM code that can be used to indicate a diagnosis for reimbursement purposes. Short description: Oth displaced dens fracture, init encntr for closed fracture The 2024 edition of ICD-10-CM S12.120A became effective on October 1, 2023. hunter summers rivals WebFracture A break in a bone A type II odontoid fracture. Patients with nonunion did not report worse outcomes compared with those who achieved union at 12 months however, the majority of patients with nonunion required delayed surgical treatment. S12.120A is a billable/specific ICD-10-CM code that can be used to indicate a diagnosis for reimbursement purposes. 16 into type 1, type 2, and type 3 referred to as H1, H2, and H3. Nonoperative treatment for type II odontoid fracture in the elderly has high rates of nonunion and mortality. For union and nonunion groups, Neck Disability Index and SF-36 version 2 declined significantly at 12 months compared with preinjury values (P 0.05) however, it is important to emphasize that the 12-month outcomes for the nonunion patients reflect the status of the patient after delayed surgical treatment in the majority of these cases. The overall 12-month mortality was 14.0% (nonunion = 2, union = 5 P= 0.6407). Thus, 15 (30.0%) patients developed primary or secondary nonunion and 11 (22.0%) required surgery. Four of the 39 (10.3%) patients classified as having "successful union" required surgery due to late fracture displacement. S12.112A initial encounter for closed fracture S12.112B initial encounter for open fracture S12. Of the remaining 50 patients, 11 (22.0%) developed nonunion, with 7 (63.6%) requiring surgery. S12.112 Nondisplaced Type II dens fracture. Short description: Oth fx lower end of unsp tibia, init for opn fx type 3A/B/C The 2023 edition of ICD-10-CM S82.399C became effective. Get free rules, notes, crosswalks, synonyms, history for ICD-10 code S82.399C. Of the 58 patients initially treated nonoperatively, 8 died within 90 days and were excluded. ICD 10 code for Other fracture of lower end of unspecified tibia, initial encounter for open fracture type IIIA, IIIB, or IIIC. Fifty-eight (36.5%) of the 159 patients were treated nonoperatively. Neck Disability Index and Short-Form 36 (SF-36) version 2 were collected at baseline and 6 and 12 months. Subgroup analysis of a prospective multicenter study of elderly patients (≥65 yr) with type II odontoid fracture. Odontoid fractures are among the most common fractures in the elderly, and controversy exists regarding treatment. Outcome analysis of nonoperatively treated elderly patients with type II odontoid fractures, including assessment of consequence of a fracture nonunion. The following code(s) above S12. This is the American ICD-10-CM version of S12.101D - other international versions of ICD-10 S12.101D may differ. 561 Aftercare, musculoskeletal system and connective tissue without cc/mccĬonvert S12.Subgroup analysis of a prospective multicenter study. The 2024 edition of ICD-10-CM S12.101D became effective on October 1, 2023.560 Aftercare, musculoskeletal system and connective tissue with cc.559 Aftercare, musculoskeletal system and connective tissue with mcc.ICD-10-CM S12.101D is grouped within Diagnostic Related Group(s) (MS-DRG v41.0): S12.101D is considered exempt from POA reporting. "Present On Admission" is defined as present at the time the order for inpatient admission occurs - conditions that develop during an outpatient encounter, including emergency department, observation, or outpatient surgery, are considered POA.
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Its a wonderfully warm movie that presents a future thats only a beat or two away from the. Kaufman made his career and Spiegel repaid the favor by creating his own cheap knockoff version of a Kaufman story. Hers take on AI leans heavily on intelligence, while almost completely disregarding the artificial. Then, based on that, he got to make Adaptation. "Jonze" was born into wealth and married into film royalty and so he was gifted access to the best unproduced screenplay out there, Being John Malkovich. Nothing that would lead you to guess that he'd write a bittersweet, surreal, character-driven romantic movie "Jonze" on the other hand, has only the Jackass movies to his name in terms of film writing credits. Honestly, I haven't seen Synecdoche, New York yet but I would not doubt that it is consistent with the rest of Kaufman's work he hasn't made shit since his oh-so-acclaimed film) then I'm Thinking of Ending Things also features a similar type of protagonist and similar themes If you want to go further in time after "Spike Jonze" (ridiculous fucking pseudonym and proof that he is, at heart, really just a music video director) retired (apparently. Most of them feature a self-loathing, neurotic, insecure protagonist and you follow that character so closely that you feel what they feel. Being John Malkovich, Adaptation, Confessions of a Dangerous Mind, and Eternal Sunshine of the Spotless Mind all involve modernist/post-modern takes on the idea of love and romance. He plagiarized Kaufman's aesthetic or style or motif, or whatever the fuck you're supposed to call it. I'm talking about Charlie Kaufman, an actual screenwriting/film savant "Spike Jonze", real name Adam Spiegel, the writer/director of this movie, CLEARLY ripped-off the guy who basically carried him to superstardom. "He wanted to avoid looking too bellicose," Bishop said. Michael Bishop, executive director of the National Churchill Library and Center at George Washington University and executive director of the International Churchill Society, said the movie might have conveyed a sense that Churchill wobbled more than he did, but he credits the writers for capturing the nuances of the political game he played. In addition, the French wanted Britain to cut a deal with Italy so France could free up troops on its east and use them against the Germans.Ĭhurchill was firmly skeptical that anything would come of any talks. "Halifax’s suggestion was not to negotiate directly with Hitler, but rather to inquire about possible peace terms through (Italian leader Benito) Mussolini, as Italy was nominally neutral at this point," said Allen Packwood, director of the Churchill Archives Centre at Cambridge University. No one questions that the pressure was real.įrom the War Cabinet minutes at the British National Archives, it is clear that Halifax pressed Churchill to explore negotiations. In the movie, Halifax sees negotiations as the only way to save Britain. Much of the tension in the film revolves around the political scheming to get Churchill to ease off his full-throated commitment to stop Hitler.Ĭhurchill’s opposition is Viscount Halifax, the foreign secretary in Churchill’s War Cabinet. Yes, Churchill sometimes did give the V for Victory sign backwards, and he probably knew exactly what it meant.Some great scenes, like the King dropping by in the middle of the night, never happened.The navy activated the small boat pool well before Churchill thought of it.Those bold timeline graphics in the film? Don’t take them literally. Churchill was ready, however much it sickened him, to sacrifice 1,000’s of troops to delay the German advance and buy time for the hundreds of thousands on the beach at Dunkirk.The War Cabinet debates over negotiations were intense, but Churchill had plenty of support.Churchill firmly believed war was the only way to stop Hitler and he never truly questioned it.Meanwhile, here's our rundown of what's right and what's wrong. If you’re prepping for a history test, go read some books. In the view of many historians, it’s pretty solid - for a movie. The question for us is how well the film tracks with what actually happened. Ultimately, they end up on the beaches of Dunkirk in France, desperate for evacuation across the English Channel. The status of the main bulk of the British Army, well over 300,000 men, grows increasingly precarious. With each day, the battlefield reports from Belgium, Holland and France turn more grim. Churchill takes over, because he is the one man who’s both willing to take the job and enjoys enough trust among the opposition party to assemble a government. The film purports to take us through 20 days in May 1940, after the German offensive in Europe triggers the fall of Prime Minister Neville Chamberlain. Gary Oldman captures Churchill as he wrestles with his inner desire to fight Adolf Hitler at any cost and the political pressure to negotiate terms. The production is up for six Oscars, including Best Picture and Best Actor. The movie Darkest Hour delivers a riveting 125 minutes of Winston Churchill’s first weeks as Britain’s prime minister precisely as Western Europe crumbles under the Germans’ blitzkrieg assault. ) Warning, major spoilers and plot points ahead! (We've also factchecked Dunkirk and The Post. With this year’s Oscars featuring historically based movies up for honors, we wanted to help you sort out the facts from the dramatic liberties. Editor's note: Have you ever wondered if the movie you just saw - that claimed to be based on a real story or historical events - was really accurate? So have we. ACOUSTIC® is a registered trademark of Guitar Center, Inc.With ways that you can notify us if you believe content on ToneNET infringes your rights. IK Multimedia disclaims that any content uploaded by users is non-infringing. Users represent and warrant that they own or are licensed to use all intellectual property, including copyrights and trademarks, in any content that they upload. 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AmpliTube®, TONEX®, AI Machine Modeling™, ToneNET™, SVX™, X-GEAR™, X-DRIVE™, X-SPACE™, X-TIME™, X-VIBE™, VIR™, DIM™, DSM™, VRM™, are trademarks or registered trademark property of IK Multimedia Production Srl. “For you will go out with joy And be led forth with peace The mountains and the hills will break forth into shouts of joy before you, And all the trees of the field will clap their hands. “For you will go out with joy, And be led forth with peace The mountains and the hills will break forth into shouts of joy before you, And all the trees of the field will clap their hands.įor you will go out with gladness And be led forth with peace The mountains and the hills will break forth into shouts of joy before you, And all the trees of the field will clap their hands. “For you will go out with joy And be led in peace The mountains and the hills will break into shouts of joy before you, And all the trees of the field will clap their hands. “For you shall go out with joy, And be led out with peace The mountains and the hills Shall break forth into singing before you, And all the trees of the field shall clap their hands. You will indeed go out with joy and be led forth in peace the mountains and hills will burst into song before you, and all the trees of the field will clap their hands.įor ye shall go out with joy, and be led forth with peace: the mountains and the hills shall break forth before you into singing, and all the trees of the field shall clap their hands. “For you shall go out in joy and be led forth in peace the mountains and the hills before you shall break forth into singing, and all the trees of the field shall clap their hands. The mountains and hills will burst into song, and the trees of the field will clap their hands! You will go out in joy and be led forth in peace the mountains and hills will burst into song before you, and all the trees of the field will clap their hands. This Customized elearning approach reduces learner time as learners are not required to work through content they have already proved they know. Learners are then served content based on the gaps identified. Here’s a handy guide to using role selectors.Īn adaptive pre-test uses an up-front quiz to identify knowledge gaps. This in turn reduces learner time, as people are only shown relevant content. The Role Selector approach allows the learner to be confident that they are getting content that is targeted to their needs. This example uses the Rules feature on Elucidat to branch the topics or pages shown depending on what role the learner selects upfront. This tailored question has been used for a role selector, but can be used to tailor content based on a variety of factors including experience level, business unit, or territory. The subsequent content is determined by the option the learner selects. This works by asking a tailoring question upfront, for example around the learners’ job role. The role selector approach gives learners specific content for their role. In the recent Design Tip Tuesday session run by our Learning Consultants, we shared five ways to personalize your elearning to increase engagement. This can also reduce the time taken to complete the content whilst providing better overall outcomes – a win-win for everyone. This is because the learning content created becomes more relevant and relatable for the learner. We know that providing Customized elearning leads to better, more people-centered learning experiences. Personalization focuses on targeting individual learners – addressing their needs, their context and their goals, and providing content tools and experiences that align to those factors. Many of us tend to look at learner groups as big, homogenous groups rather than seeing learners as a collection of unique individuals with different learning needs. This can be achieved in a number of ways including, altering the pace of learning or presenting content using varying approaches such as an instructional approach. For example, through gamification, short videos and adaptive learning. From what is learned to when it is learned to how it is learned, learners have specific needs that should be met.Ĭustomized elearning can influence the experience learners have of learning content. Learners have specific expectations and demands for elearning and these should be taken into account. Customized elearning focuses on tailoring learning experiences to meet the needs of an individual. ability to drag and drop single or group from tracks list (on right) to other playlists (on left).drag and drop reordering of tracks (Rows) when sorted by “#” (no reorder when sorted by any other column), including dis-contiguous groups.ability to sort by any meta data column (quickly), sorts are "stable", ie: if user clicks to sort sort by artist THEN clicks to sort by song name, songs will be sorted by song name, but within each group of songs by the same name, they'll be sorted by artist.fully configurable and customizable list of meta data “sort columns” on the right, ability to hide / show / drag reorder as user wishes (old DB model & data provided, you create new DB model).when selecting a “Source” on the left, show the contents of that source on the right, in the “Tracks” list. playlist may contain tracks (songs) OR other playlists (ie: like folders).tracks lists must use "model backed view", using QSortFilterProxyModel.“main browser” window has a “Tracks” list (table view) on the right side side (showing contents of currently selected playlist) (multi-column, flat, configurable) (bulk of your work is in implementing this).“main browser” window has a “Source” list (tree view) on the left side (listing the “Library” and other “Playlists”) (single column, heirarchical, as some act as folders) (this part is working well enough but needs finishing touches).utilize SQLite tables and FTS if necessary for fast db searches.Looking to hire a freelancer for this project: These are the sorts of topics that you delved into in Noble Cows and Hybrid Zebras? How else did you expand on the topic in that book? Or when breeders write about their efforts to get female dogs to accept the advances of the mate who’s been chosen for them, they use terms very much like those you might see in a Victorian novel where, in a typical trope, a father is angry with his daughter for not marrying the right sort of person. When you get to pets, where the audience for breed books and kennel magazines includes a large number of women, you get extraordinary columns with headlines like, ‘Weddings,’ meaning stud visits. When they write about relationships between cows and bulls, you get a sense of what they think about interactions between men and women. The business of animal breeders is-to use a euphemism-romantic. “The business of animal breeders is-to use a euphemism-romantic” They describe what the breed is supposed to be like and how you decide if an individual animal is good or not how you make your decisions about mating what to call the animals: all these things. Their purpose is to establish the pedigrees of individual animals and the validity of the breeds themselves. Breed books list pedigree after pedigree. One type of material I read a lot, especially in the Cambridge University Library and at the University of Reading, is breed books, which began in the 18th century but really took off in the 19th century. But human relationships with other animals are more complex, and primary sources show that. That’s the way industrial-scale farming treats animal: as cash in, cash out. How does the lens of a historian change the understanding of the material?īusiness and agricultural historians who focus on the economic aspect of livestock husbandry tend to abstract the animals and treat them as a group to be quantified. The historical material about animal agriculture and husbandry in Harvard’s library system was almost exclusively located in the Harvard Business School library. For example, when you talk about agricultural animals, the only place I found much attention to the history of livestock was in the economic analysis of agriculture. So, you could say that in that book I looked at a range of practices that hadn’t been examined as a group before and also that I introduced some topics that hadn’t had much attention from historians at all. But I also explored areas general historians hadn’t looked at much at all, such as the breeding of pets and livestock. The women’s and animal’s movements often overlapped-in fact the child protection movement was an offshoot of the Society for the Prevention of Cruelty to Animals. During the Victorian era, the movement for the humane treatment of animals got the attention of people focused either on protest politics generally or women’s issues in particular. For example, the history of science has always included zoology. Some of the things that I focused on were written about before. It looks at a range of different ways that animals figured in British society and culture from the early or middle 18th century through the 19th century that’s what we historians call “the long 19th century.” The book is organised thematically as well as chronologically. Tell us about the book and its introduction to this topic. In The Animal Estate, your prizewinning history of human interaction with other animals, you introduced readers to this hybrid animal history. And since I was a graduate student I’ve been a manager of two or three cats at a time. I had an uncle who was a veterinarian he used to let his young relatives hang round his practice. I’m not a biologist, but I have some background as a student of biology. I fixed on this subject for reasons that reflect on my own background. Historians also focus on certain subjects for personal reasons. The emergence of animals as legitimate subjects for research and scholarship, in different fields of the humanities and social sciences, probably reflects the re-emergence of the animal rights movement for example in the 1960s and ’70s. For instance, women’s history emerged as women attained greater political standing. As human groups got greater political standing throughout the late 19th and through the 20th century, they became objects of historical investigation and were recognised as historical actors in a way they hadn’t been before. Often the focus of historians reflects, even when exploring things from the past, concerns in the present. Before we delve into the books, can you tell us how this species of history came to be? The role of animals in human history is our subject, a field you’ve forged. Foreign Policy & International Relations. |
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